 |
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MAD |
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pertaining to something delightful and stimulating, possibly dangerous |
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"Nero is havin' a ball, he's diggin' this mad game, he's
juicin' up a storm . . ." |
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[ Nero ] |
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|
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MAD, MAD MOVEMENT |
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a wild and crazy event |
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". . . he's just bubblin' all over the mad, mad movement." |
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[ Nero ] |
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MADMAN AT A TAFFY PULL |
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a person engaged in a highly focused and frantic action |
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"I told the cat that if the time comes for me to pull this item, I'll come on like a madman at a taffy pull." |
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[ Buckley Describes First Jet Ride ] |
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|
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MAGIC LICK |
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a miracle; see also 'Miracle Lick' |
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"Me got buddy cat. . . little bit hung-up, little bent. You straighten him. You put 'em magic lick on this boy." |
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[ The Gasser ] + |
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MAGNIFICENT POLITICAL DEITY |
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a politician of iconic stature |
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". . . where he will introduce this magnificent political deity." |
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[ Governor Slugwell ] |
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|
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MAGNIFICENT TORCH |
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a beautiful poem |
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"M'Lords and Ladies of the Royal Court, Edgar, the swinging Edgar Allen Poe's magnificent torch: The Raven." |
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[ The Raven ] |
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MAIN DAY |
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utmost or most important |
| |
"Now we're hung with a king-sized main day civil drag." |
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[ The Gettysburg Address ] |
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MAIN-DAY CHARGE |
| |
girl friend |
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"Diggin' his takes was his main day charge." |
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[ The Ballad Of Dan McGroo ] + |
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MAKE A CONNECTION |
| |
contact the Almighty |
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"He didn't know anything about making an appeal but he fell back on his knees and he made a connection which shook the peninsula." |
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[ The Gasser ] |
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MAKE AN APPEAL |
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pray, ask for divine intervention |
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"He didn't know anything about making an appeal but he fell back on his knees and he made a connection which shook the peninsula." |
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[ The Gasser ] |
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MAKE IT |
| |
commit passionately |
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". . . when you make love, Make It!" |
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[ My Own Railroad ] |
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|
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MAKIN' SOUP |
| |
boiling |
| |
". . . and there makin' soup out of one Christian" |
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[ Nero ] |
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|
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MAKING IT ACROSS THE STREAM |
| |
crossing a river |
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". . . making it across the stream with the ice and stompin' soldiers and all that." |
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[ The Gettysburg Address ] |
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|
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MAN |
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an appellation, similar to "Daddy-o" |
| |
". . . he's really diggin' the scene, man!" |
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[ Nero ] |
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|
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MANIAC'S TWIST |
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a complex aerial maneuver |
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". . . we're goin' outside outs and inside ins and the maniac's twist and then we're jumpin' in the straight again . . . " |
| |
[ Buckley Describes First Jet Ride ] |
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|
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MAP |
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face |
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"With a map most hair, and the goofed-up stare of a dog whose day is done." |
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[ The Ballad Of Dan McGroo ] + |
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|
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MARDI-GRAS TIME |
| |
a glorious and exhilarating experience |
| |
"And they're havin' such a wailin', gorgeous, Mardi-Gras Time . . ." |
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[ The Nazz ] |
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|
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MARINE NEWS |
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a knowledge of what is happening in a marine environment |
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"Say, don't you dig the Marine News?" |
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[ Jonah and The Whale ] |
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|
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MARLEY'S BARLEY |
| |
money, derived from the money-obsessed character of Jacob Marley in Charles Dickens' "A Christmas Carol", |
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"That's me, I'm Scrooge, and I've got all Marley's Barley." |
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[ Scrooge ] |
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MARSHEAD |
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a very intelligent person |
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"And out popped two little Marsheads, a boy and a girl." |
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[ The Hip Einie ] |
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MASS MESS |
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the insides of a whale; see also "Blubbery Rugs" |
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"Hey, you got a new captain of this here mas mess now, Mr. Fish." |
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[ Jonah and The Whale ] |
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|
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MASS PANTOMIMICISM |
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the secret technique that Buckley claims is the basis of his Amos 'n' Andy routine |
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"Finally I achieved a thing called 'mass pantomimicism,' which is the art of voice projection through people." |
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[ KPFA Interview With Bill Butler - 9-16-59 ] + |
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|
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MELLOWED |
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consecrated |
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". . . we cannot put the stamp of the Nazz on this sweet sod 'cause the strong non-stop studs who both diggin' it and dug under it who hassled here have mellowed with such a wild, mad beat that we can hear it but we can't touch it." |
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[ The Gettysburg Address ] |
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|
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MENTAL EPIDEMIC |
| |
mass hysteria |
| |
"Between the 14th and the 15th century there was a tremendous mental epidemic vrrrrpppt swept the land. Everyone was going in search of the Holy Grail. " |
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[ Chastity Belt ] < |
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|
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MESS |
| |
to hassle someone |
| |
"Daddy, I don't want to mess with 'em . . ." |
| |
[ Nero ] |
| |
|
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MEXICAN TAILSPIN |
| |
a mental and/or physical paroxysm |
| |
"He come swangin' down doin' a Mexican Tailspin and the Japanese a bab-a-dap." |
| |
[ Nero ] |
| |
|
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MIDNIGHT STUD |
| |
a late-night visitor |
| |
". . . I stood repeating 'Tis some strange midnight stud that's sounding a money beat on my pad's door. A deuce to cool the morrow . . ." |
| |
[ The Raven ] |
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|
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MILEHEAD |
| |
someone with great endurance |
| |
"Used to call him The Hip Miles 'cause he was a milehead; he used to make them miles up and down the peninsula rockin' them Indians, see." |
| |
[ Speak For Yourself, John ] < |
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|
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MIRACLE HEAD |
| |
a god in human form |
| |
"Me know you, you big miraclehead. Me hear you by Indian grapevine, you come: 'Many big him ship. He no sail water. He got white wings, he sail sky'. . . You pretty hip head. You got 'em miracle wig." |
| |
[ The Gasser ] + |
| |
|
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MIRACLE LICK |
| |
a miracle |
| |
"They want to dig his lick, his miracle lick." |
| |
[ The Nazz ] + |
| |
|
| |
MISER'S COMA |
| |
a delirium attendant to a state of constant greed |
| |
"Scrooge fell back into a cool, groovy miser's coma." |
| |
[ Scrooge ] |
| |
|
| |
MOHICAN HEAD |
| |
a person of considerable physical prowess with a strong knowledge of natural environments; comes from James Fenimore Cooper's "The Last of the Mohicans |
| |
". . . he turns out to be a Mohicanhead and takes right off through the mother primeval and does about nineteen tail-breaking miles over hill and dale." |
| |
[ Bad-Rapping of the Marquis De Sade ] |
| |
|
| |
MOOR |
| |
a dark-skinned North African Islamic person |
| |
"It was Alvar Nunez Cabaza de Vaca, the Gasser, a Buddy Cat, a Moor and a Parrot." |
| |
[ The Gasser ] |
| |
|
| |
MORPHEUS WAS TAP-DANCING ON HIS EYEBROWS |
| |
nodding off (Morpheus was the god of sleep) |
| |
"And he laid his great body back in the water and he lullin' in the waves and Morpheus was tap-dancing on his eyebrows." |
| |
[ Jonah and The Whale ] |
| |
|
| |
MORTAL ANVIL |
| |
a superhuman being |
| |
". . . and in walks a stud about nine foot two, built like a mortal anvil." |
| |
[ Bad-Rapping of the Marquis De Sade ] |
| |
|
| |
MOTHER |
| |
the ultimate example of something |
| |
"Yeah, Nero was an All High Flip Out in Orbit Mother to end All Mothers!" |
| |
[ Nero ] |
| |
|
| |
MOTHER PRIMEVAL |
| |
an ancient forest |
| |
". . . and takes off right through the mother primeval . . ." |
| |
[ Bad-Rapping of the Marquis De Sade ] |
| |
|
| |
MOTORCYCLE SHOULDERS |
| |
broad, muscular shoulders, an allusion to the high handlebars of some Harley Davidson motorcycles |
| |
"A big cat with glasses and motorcycle shoulders stood up and made the introductions. " |
| |
[ James Dean (Message to the Teenagers)] |
| |
|
| |
MOVE ONE |
| |
any movement |
| |
"And that little ol' fawn-tailed blonde, she dancing, and a ring-a-ding-ding and a dong-dong-dong. And the gorilla, he sitting over there digging the whole scene. He ain't making move one." |
| |
[ Bad-Rapping of the Marquis De Sade ] |
| |
|
| |
MULTIMILLIONAIRE'S SON'S SPECIAL KICK-SHIP |
| |
a fancy, expensive toy |
| |
"This real way out set of wings, looks like a multimillionaire's son's special kick-ship." |
| |
[ Buckley Describes First Jet Ride ] |
| |
|
|